
Bridal Couture
Lehengas, gowns, and the dresses of a hundred traditions — crimson zardozi beside ivory lace, each bride's own heritage cut into the cloth. For the ceremony itself, and the woman at its centre.
Visit the collection at 16 Shringhaar →The House of Shringhaar — Our Brides, Our Passion.
A bridal maison for brides of every culture, every tradition, every story — where a bride is dressed, adorned, and cared for under one roof, by one pair of hands.
“From our house to the house of the bride — her journey begins, as she walks on…”

Every great house is known by its marks. Ours are three — shown together here, at the front door, and carried across every house we keep.

The mark of the clothing house — the bride in profile on deep red, ringed by the very adornments she will wear.

Shringhaar — The Art of Touch. Hennaed hands holding the seal of Refresh — the emblem that connects all our houses, and the promise every bride is greeted with.

The sixteen adornments turning around the gold RS — the seal of the bridal house, and of the signature kit given to every bride.
Slowly. By hand. Around the bride. The House of Shringhaar gathers everything we do — clothing, skin, cosmetics, makeup, décor — under one umbrella named Beauty, and holds it to one philosophy that does not change as we grow: ritual, adornment, and healing through beauty.
We are healers, not doctors. We maintain and we enhance — through touch, pacing, scent, and calm — and when a question belongs to medicine, we send you to a dermatologist first, happily. What a maison sells is never only a dress or a jewel. It is the experience of being cared for, completely, by hands that know your name.
Born in India and raised in Kuwait, Antim Bansal grew up where beauty lived in many forms — in fabrics and colors, in celebrations and customs, in the elegance of adornment and the stories carried from one generation to another. Her Indian heritage gave her the traditions; Kuwait taught her that every culture speaks beauty in its own tongue.
Her artistry began in fashion — Fashion Technology at the YWCA in New Delhi, among India's textiles, garment construction, and regional embroideries, where she learned that a garment is never just a garment; it is a story waiting for someone to wear it. Discipline stood beside the art: in 2001 she earned an MBA in Marketing & Human Resources from Banasthali Vidyapith, an institution devoted to women's education. In 2004 she married Krishna and moved to the United States; in 2007 she entered Evergreen Beauty College, and by 2008 the profession that became this house had begun.
Today she is a licensed cosmetologist and a licensed cosmetology instructor — an educator — as well as a makeup artist and henna artist, trained under masters including Ash Kumar, Sharon Blain, and Angie G. Ford. Nearly twenty years of hands have taught her the house's founding truth:
The greatest artistry is not what we create with our hands. It is what we make another human being feel.
Cosmetologist, instructor, makeup & henna artist. The hands of the house — every bride is dressed, adorned, and cared for by her, personally.
Her husband since 2004. Together they built a life in a new country — the ground on which this house stands.
The founder's daughter — the face of the house's films and lessons, and the next generation this house is being built for.
In a maison, a collection is not a rack — it is a world, entered one at a time. Ours are three. The clothing itself lives at 16 Shringhaar, the clothing house; this door opens onto all of them.

Lehengas, gowns, and the dresses of a hundred traditions — crimson zardozi beside ivory lace, each bride's own heritage cut into the cloth. For the ceremony itself, and the woman at its centre.
Visit the collection at 16 Shringhaar →
For the reception, the sangeet, the evening after the vows. Indo-western silhouettes in emerald and royal blue — Indian embroidery on a Western line, letting the gold thread do the talking.
Visit the collection at 16 Shringhaar →
Sarees and festive dresses in deep jewel tones, gathered for the year's celebrations. Every house has its festivals — this collection dresses all of them.
Visit the collection at 16 Shringhaar →
A jewel is not finished when it is made. It is finished when it is placed — on the right bride, in the right order, by hands that know what it means.
The house's jewellery follows the kundan and polki traditions of Jaipur — necklaces, jhumkas, maang tikkas, naths and bangles in gold and emerald — chosen for brides of every culture, and placed as part of the dressing itself. Jewellery is presented in the salon, tried in the mirror's light, and worn out of the house glowing.
Every bride who comes to this house receives the sixteen adornments on her special day — no matter her culture, her tradition, or her ethnicity. The kit is the house's signature and its keepsake: a wearable set of adornments that stays with her, while the ritual consumables — kumkum, mehendi, itar — are always bought new and sealed for each bride, never shared.
The sixteen are not a list to be completed but a ceremony to be lived — bindi to kumkum, each carrying a memory, a blessing, an identity. This is the feeling of becoming a bride, and it is the same in every language the house serves.
The kit's line is the house's line, spoken at every dressing:
“From our house to the house of the bride — her journey begins, as she walks on…”
Everything the house does lives under this roof. Each department keeps its own home with its sister house — enter any of them from here.
Bridal, glam, and festival dresses and sarees — the collections of the atelier.
At 16 Shringhaar →Facials, skin rituals, and care that maintains and enhances — never medical, always honest.
At Refresh Skin Esthetics →Our own labelled cosmetics and skin care, sold from the professional house.
At Refresh Skin Esthetics →Makeup artistry in the studio — and the academy, where the art is taught by its instructor.
At Refresh Skin Esthetics →Unique brass and jade pieces — Moradabad brass, Jaipur jade — for the home the bride is building.
At 16 Shringhaar →The professional house — studio, academy, and the shop for all Refresh-labelled skin care and cosmetics.
Enter Refresh →The clothing house — bridal, glam, and festival dresses, with brass & jade décor.
Enter 16 Shringhaar →The bridal & ritual house — services, lesson films, and jewellery for rental, by one pair of hands.
Enter Solah Shringhaar →The departments are what the house holds. These are what the house does — the services performed here, the lessons filmed here, and the academy taught here. Nothing the house does is hidden in a fragment somewhere else.
Bridal dressing and adornment, facials and skin rituals, hair, makeup, and henna — performed in the studio by the founder's own hands, one guest at a time. The full menu lives with the bridal house.
See the services at Solah Shringhaar →The house teaches on film — skin lessons, rituals, and the craft of adornment, recorded in the studio and released as lessons to watch, learn from, and keep.
Watch the lessons at Solah Shringhaar →Refresh Academy — the teaching house of a licensed cosmetology instructor: state board exam classes for cosmetology and esthetics, makeup classes, and professional facial training.
Enter the Academy at Refresh →From this house, a bride may rent her dress and her jewellery — chosen in person, fitted in person, and worn as part of a bridal service at the house. Rental here is never a box shipped to a stranger: it is an appointment, a fitting, a dressing — the maison way.
Rental is by appointment only, in person, as part of a bridal service. There is no standalone rental checkout — and when the salon opens, there still won't be one.
Private bridal consultations at the maison — one bride, one party, no rush. Tell us your date, your tradition, your dream; the house prepares the rest. Women only, by appointment.
Nothing is booked or charged today — the button says so, honestly, until the diary opens.
One house · Every bride · One pair of hands
The House of Shringhaar — Our Brides, Our Passion.
The House of Shringhaar · Woodinville